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Issue 01

Introducing two krux artists: ydi coetsee and ntobeko mjijwa

KRUX is a community of Christian formation tucked in the heart of Stellenbosch – a vibrant university town in the Western Cape of South Africa.  Launched by native South Africans JB and Corli Krohn in 2015, KRUX disciples young adults through theological education, mentoring, community and a unique focus on the arts.

Ydi Coetsee (KRUX artist in residence)

Ydi Coetsee Carstens (b. 1990) received her MA in Fine Arts from the University of Stellenbosch in March 2015. “Studying postmodern art was a daunting experience for me since I grew up with parents in ministry, family members in missions, and myself having a heart for social issues, the poor and the marginalised. During my Master’s studies I did an exchange at Makerere University (Kampala, Uganda) which was a real soul-searching experience. Today many of my paintings speak about the segregated communities in my hometown where my father worked as Dutch Reformed pastor to a ‘coloured’ community.” After studying Ydi spent some time at L’Abri, England, and since then has been freelancing and painting. She had her first solo exhibition titled “Bly” or “Stay” in 2018, reflecting on their family leaving the community after 30 years. She has received a number of South African art awards, being a Sasol New Signatures finalist in 2015 and a Top 40 finalist in the Sanlam Portrait Awards in 2017.

“‘Feet on a cement floor’ reflects on a missions trip I did with my church to our neighbouring country, Mozambique, in 2019. During the three-week trip I was keenly aware of my biases against the trip (having studied humanities in a secular environment, and knowing the postmodern critique against missions and the privileged ‘helping’ those in Africa). I felt confused about my role and felt my critical mind-set hampering my ability to be present. At the same time, the close communion with those around me and the time spent away from my phone helped me to connect to the concreteness of things – textures, smells, dust – sensory realities. I left the experience humbled, aware of how multidimensional a trip like this can be. I made this painting to grapple with the conflicting voices about missions, privilege, faith and aid in Africa.”

Feet on a cement floor. Oil on board. 30cmx30cm.

Ntobeko Mjijwa

Ntobeko Mjijwa was born in Knysna, South Africa. After graduating with a Fine Arts Degree from Nelson Mandela University and a Certificate in Theology from George Whitefield College in Cape Town, Muizenberg, he became an assistant lecturer, teaching South African art and Western African art at Nelson Mandela University. Mjijwa spent two years lecturing at the African Christian University in Zambia, Lusaka, also creating an art curriculum based on a biblical worldview with the help of Dr Voddie Baucham. Ntobeko is currently a member of staff at the Student YMCA Study Centre at the University of Cape Town. He is married to Siphokazi Mjijwa, an administrative clerk and IsiXhosa language teacher.      

“The artworks in this series form a combination of concepts and conversations from different contexts which intersect my life. Just as culture manifests as a multilayered entity which includes several voices, I strive to bring these impressions from my surroundings into new company, to be continually shaped anew. The viewer is thus invited to participate in the conversation and its evolving process.”

Lupe Fiasco (Portrait). 60x 90cm. Oil on canvas.
Life is a Vapour I. 60x 84cm. Oil on canvas.